For Author Crush Month 2012, I wanted to continue my study of self-publishing. So I asked four friends to share with you their self-publishing experiences from four different vantage points. Today, James Scott Bell shares his story of self-publishing shorter works even while he continues to traditionally publish his novels. Please welcome Jim!
So I’m sitting there little over a year ago after having three books come out and looking at these people self-publishing and making extra dough. Sometimes a lot of extra dough. So I finally said, What am I doing sitting here not making extra dough?
My current traditional contract is under a pen name, K. Bennett. This is for zombie legal thrillers, a genre I happened to invent. That left a window for James Scott Bell to start experimenting with e-books. And to become the sort of writer he always admired.
I love the old pulp writers, the guys who made a living pounding out stories during the Depression, some of whom became truly great. People like Hammett, Chandler, Cornell Woolrich. I like the idea of being prolific and being good at the same time.
I started with two collections that each included a complete novella and three stories. I did the novellas in the style of James M. Cain, another prolific writer of the old school.
One More Lie is the title novella of one collection. It’s the story of what happens when you make one bad choice and try to cover it with another.
Watch Your Back is the novella in the other collection, and it’s one of those stories where the too-slick hero gets involved with a femme fatale. Sort of like Double Indemnity. Who is using whom? This collection also features a story readers seem to love, “Heed the Wife,” with the sort of twist ending I love.
I find these types of stories to be profoundly moral. I think the best noir comes out of the view that rough justice happens. It’s not pretty, but it gets the job done.
Also, I put out a collection of some of my articles on fiction writing as an e-book, Writing Fiction for All You’re Worth. And I started a short story series, boxing tales set in 1950s Los Angeles. The first of those is “Iron Hands.”
All this was done as I completed work on my contracted books. I was busy, but extremely happy. Especially when I started getting those monthly infusions into my bank account.
Here’s the deal: It’s all about options and freedom. So long as you’re honoring your traditional contracts, and you have negotiated them in the proper way, and you’re getting along with everybody, having an independent line that complements your traditional work is a no-brainer. It’s real income, and I have this quaint notion that writers are entitled to earn real income from what they write.
But with this freedom there is responsibility. Being in charge of your own writing means you are CEO of your own publishing enterprise. You can expect to experience the stresses and strains of running a small business. You will need new skills to handle them. These can be acquired, but only through effort and self-discipline.
The most challenging part is internal quality control. With traditional publishing, you’re working with a team of professionals and a window of time of a year to eighteen months per book. One of the most exciting things about indie publishing is the speed with which you can bring out books. But you have to find ways to give your work the attention it needs, everything from cover design to marketing copy to editing and formatting. You simply have to think like a business for all these tasks.
So don’t move too fast. Learn your stuff. Put yourself through a self-imposed meat grinder with your writing. Get critiqued. Hire a good freelance editor. Use beta readers you can trust to give you the straight scoop.
This all takes time to develop, but you need that network. You’re not just going to roll a new car out of your factory in a couple of days. You’re going to need tests to make sure the thing runs and can make a long trip. Turn out a couple of those and you can make it an assembly line.
Which is the coin of the realm in self-publishing. It’s as simple and as profound as this: write crazy good books and stories and get them out into the market. And keep doing that, over and over, for the rest of your life.
James Scott Bell is the author of the #1 bestselling book for writers, Plot & Structure, as well as Revision & Self-Editing and The Art of War for Writers. His latest release is Conflict & Suspense.
Please leave a comment and ask Jim any questions you have about his books or his foray into self-publishing. He’d love to hear from you!



